Archive for the ‘furry movies’ category

“Godzilla vs. Kong” Satisfies…

August 31, 2021

I have at long last been able to see the much-touted Godzilla vs. Kong movie, crown jewel in the MonsterVerse series. While the film is overly-long and leaves many unanswered questions, it’s still a good guilty pleasure for Kaiju fans.

Now it takes over forty minutes for our combatants to finally meet in a neon-lit Hong Kong, which thoughtfully has Titan Shelters (so labeled) present for the safety of its human inhabitants. The dang Titans run amok every so often, and wouldn’t it be great if Titans were the only problem faced by humanity? They would constitute an external, readily-identifiable enemy.

Now Kong in the movie receives much of the initial film time, even taking a waterfall shower to the strains of a 50’s doo-wop hit. He’s being kept in a containment environment, but knows that it’s fake. When Godzilla begins attacking shipping and otherwise behaving badly, Kong is transported via air and sea to protect the mainland, and then it’s match on. Kong and Godzilla have an ancient rivalry and generally bad blood towards one another, you see. Kong is also recruited to fight for humanity by being shown “Hollow Earth,” a vast environment within the Earth where he’s led to believe he may find others like himself. The notion of Hollow Earth should really delight and get fringe conspiracy and pseudo-science adherents buzzing.

So Kong and Godzilla fight in Hong Kong, and I won’t detail that outcome so as not to spoil the spectacle for those who have yet to see the film. I will say that Mechagodzilla enters into it prominently, however, and that he’s become sentient, gone rogue, and is infused with the mojo of King Ghidora through one of his three decapitated heads, and despises Godzilla for having killed him in a previous film. Understandably, this could ruin your entire day. It all gets rather complicated, but suffice it to say that Mechagodzilla here is an impressive creation, his red eyes glowing like a gigantic Terminator endoskeleton. When Godzilla and Mechagodzilla go at one another head to head, it’s like seeing a Jedi vs. Sith light saber battle on a epic scale, so pull up a chair for this one…

So by all means, indulge yourself in Godzilla vs. Kong, which at times is oddly satisfying and a great guy film! No one else needs to know that you saw it. Perhaps in a future film, the absence of the other Titans from this one will be explained. I could do with a good Mothra epic, after all. Until then, satisfy yourself with Mechagodzilla… 🦊

Brando’s “Dr. Moreau” 25th Year Anniversary…

August 21, 2021

Everyone should read the 1896 novel The Island of Doctor Moreau by H. G. Wells at least once. As a furry, I’ve read it several times, and catch the film versions whenever they’re on. Burt Lancaster played the doctor in a more traditional 1977 version, whereas Marlon Brando really took the role off the rails in a 1996 version that is generally regarded to be the worst film that he ever made.

Brando‘s Dr. Moreau is by almost anyone’s definition bizarre. Playing the part in white Kabuki-style makeup and other outrageous garb, Brando’s characterization is really far out there, and hard to relate to. What makes the film memorable, however, is the cast of animal hybrids that were created in one of the last special effects extravaganzas using makeup rather than computer generated special effects. You can even catch Ron Perlman in the film playing the Sayer of the Law, a goatish-hybrid.

Now Ron Perlman is no stranger to having played furry and other offbeat characters, having appeared as Hellboy and even Vincent in the series Beauty and the Beast. Perlman wanted the experience of having appeared in a project with the legendary Marlon Brando, although this film hardly qualifies as Brando’s best work. Perlman would describe the movie as being an incredible mess…

Now Dr. Moreau was a mad scientist type who endeavored to create human-animal hybrids via vivisection. When his gruesome and painful experiments were publicly exposed, Moreau fled to his island to continue work perfecting his Beast Folk. It continues to be a classic work of science fiction to this day while reflecting the ethical, philosophical, and scientific concerns of the time of its creation. So consider visiting The Island of Doctor Moreau in literature and film, with the 1996 Brando version celebrating its 25th anniversary…and if you see Fox-Bear Woman, a female hybrid of a fox and a bear, tell her I’ve got her back… Are We Not Men?!

Space Jam: A New Legacy…

July 5, 2021

Perhaps the alarmed expressions on the faces of the Looney Tunes characters is a reaction to their new movie, Space Jam: A New Legacy, opening July 16th in theaters and on HBO Max simultaneously. A key question is whether the world really needed a sequel to 1996’s original Space Jam movie, and the consensus of opinion is not only no, but hell no!

Now the sequel a quarter century later involves basketball superstar LeBron James’ young son Dom being captured and held by a rogue A.I. in a digitized world from which he will be released only if LeBron can best the A.I.’s team in a game of basketball, with LeBron’s team consisting of the classic Warner Bros. Tune Squad characters.

They’re almost all there, with Pepe Le Pew having been deleted due to criticisms that he “normalized rape culture.” I kind of miss the lusty French skunk already, and hope that somehow the character will be reintroduced someday, although probably it will be in a contrite, sanitized form. Well, first they came for Mr. Potato Head and then Pepe Le Pew, and now it would appear that Lola Bunny has also been subjected to cultural revisionism as having been overly sexualized in the original Space Jam movie. – – Give me a break! I’m a furry but not of the ‘toon subdivision. Now Cheetah from Wonder Woman 1984 was a stunning anthropomorphic shifter, much more to my liking. But I digress…

Now the redrawn Lola Bunny (left) is rendered less curvy than her 1996 predecessor shown to the right. Lola is also rendered more fully clothed and styled less like a teenager than her previous incarnation. We wouldn’t want Bugs Bunny to be considered a pedophile, after all. A previous love interest for Bugs introduced in 1966 was Honey Bunny, although she was dropped as she overly resembled Bugs, and might have been him in drag. So now we have the revised Lola Bunny, looking less hawt than before…

..So Space Jam 2 is a mixed bag, with some things that are painful to see, like Porky Pig performing in a rap battle. But other things are a hoot, like Granny channeling Trinity and Speedy Gonzalez doing the honors as Neo in a take-off on the The Matrix. “Abuela, let’s do this!,” exults Speedy before effortlessly dodging bullets like a furry Flash.

Just don’t tell Yosemite Sam to “shoot the ball,” because that’s exactly what he does! And may Speedy have a long run!

“Cats,” the Movie, Now On HBO…

October 12, 2020


Director Tom Hooper’s movie adaptation of Cats is now available for a broader audience on HBO, and it was there that I viewed it in its entirety for the first time.  If you don’t have HBO, wait a bit longer, and you’ll probably be able to catch Cats on Fx or a similar network.  Released in December of 2019 to almost universally scathing reviews, Cats is an odd duck if you pardon  the mixed metaphor.  It is, as one reviewer aptly described it, a plotless spectacle probably unlike anything you’ve ever seen, or would wish to see again.  By one estimation I’ve read, only 27% of those viewing it actually liked the film.

My short take on the movie is that it’s not as bad as you’ve been led to believe, although you may just want to sample it to see what all of the negative reviews are about.  It definitely helps to be a furry as I am to appreciate Cats, although once the spectacle of seeing A-list stars morphed into felines wears off, the novelty is gone really fast, and the movie light on plot becomes repetitious and even tiresome.  While not a horror movie, Cats can be horrible, and it’s said represents a career low for many of the big name stars in it.  

Parts of the movie are memorable, and the anthropomorphic cats move and dance with a fluid grace and athleticism that is memorable.  Taylor Swift projects a lithe feline sensuality that…well, I won’t go there.  The creepiness factor that set so many off the film is readily identifiable mixed with the incomprehensible such as why these cats are rendered with humanoid hands and feet.  As one reviewer huffed, “This is not a cat…this is an abomination!” – – Jeez, lighten up dude, this is entertainment, although it may have failed in that purpose for many people.  I think that the long-running Broadway show version of Cats worked better for many as patrons were always aware that they were viewing actors and actresses in dazzling cat costumes rather than a CGI-generated hybrid.  A live theater performance also permits a kind of interactive intimacy between performers and audience that is largely lost in a movie.

Love it or hate it, Cats is a unique experience likely to persist in the memories of its viewers as either a vision or a nightmare…Meow!

 


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