The Coca-Cola Zero Sugar Pinocchio Commercial…

Posted April 27, 2021 by vulpesffb
Categories: advertising, alternative realities, anomalies, anthropomorphic, commercials, furry, insects, twisted reality

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It’s been called “nightmare fuel,” extremely disturbing, and creepy; the Coca-Cola Zero Sugar Pinnochio Commercial, that is!  There is something not quite right about the skin tones, enormous eyes, and jointed arms of our CGI Pinocchio depicted; this is truly something terribly apart from nature.  He may “dance without strings,” but we only want to dance away from him, and quickly. – – Geppetto, how could you do this to us?!   Yes, there’s a bug in this commercial, and for me, he’s the highlight…

Now our marionette-boy is so bowled over by the taste of Coke Zero Sugar that his creator and cricket companion Jiminey don’t seem to believe his raves over the drink, telling Pinnochio that if he keeps lying, he’ll never be a real boy. They seem persuaded, however, upon trying the product.  “I never lie,” maintains Pinnochio. This, of course, is a lie, and causes the would-be boy’s nose to grow to tree-limb length across the room.  We really didn’t need to see this, and the Geico commercials of a few years back handled Pinnochio in a more clever fashion.

Geppetto looks younger and more vigorous than his Disney counterpart in this commercial airing, and I like the treatment of Jiminey Cricket as a fully-fledged anthropomorphic insect, minus the Disney hat, umbrella, and moralizing but complete with the proper number of six rather than Disney’s four limbs. – – This bug could go places if he doesn’t break into singing When You Wish Upon A Star.  So lose the “boy,” but the bug’s a keeper…

 


Nasty Vegetation…

Posted April 11, 2021 by vulpesffb
Categories: alternative realities, anomalies, anthropomorphic, furry, horror

  
It’s one thing to be made as a child to eat your vegetables.  It’s entirely different when vegetation appears to want to eat you!

Plant or plant-like monsters are relatively rare in science fiction, with notable exceptions such as The Thing, The Triffids, and Audrey II in Little Shop of Horrors. Some plant-creatures can even be heroic and self-sacrificing, such as Groot in Guardians of the Galaxy.  

Not so are the allergen creatures featured in recent Flonase commercials. One gargantuan thing emerges directly from the Earth in a park, causing pandemonium among the park-goers. It’s a lawn monster, not to be confused with a lawn mower, and the thing roars and spews pollen, dander, and other debris, equipped with a fearsome set of teeth. The featured guy is not perturbed, however, calmly continuing to eat his ice cream. Such spectacles are just part of the passing parade for him, ’cause he’s had his Flonase…

In another commercial, a flower-monster is terrorizing a city, spewing massive amounts of pollen and roaring while city dwellers take to their heels. I must confess that I’ve always wanted to be an extra in scenes such as this, totally losing it and running terrified away from Godzilla or something similar while screaming!  Here again, a lady is totally nonplussed, calmly reading a book while the floral monster makes mayhem. She even sticks a flower in her hair…take that, allergies!

Allergies don’t have to be scary, you see, if you use Flonase…and just to be safe, eat your veggies and spray your weeds before they eat you! 🦊

In Praise of Dark Bunnies…

Posted April 3, 2021 by vulpesffb
Categories: alternative realities, animals, anomalies, anthropomorphic, furry, icons

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With Easter upon us, it’s easy to think of rabbits as all sweetness and light, cuteness incarnate, the Easter Bunny thing.  I prefer my rabbits to have a dark side, however, with a bit of muscularity and the potential for the unpredictable thrown in.  That’s right…I like my bunnies bad!  

Bad bunnies can play havoc with our expectations of them, like The Rabbit as portrayed by Joey Fatone on Season 1 of The Masked Singer.  He had a wonderful, “fresh from the asylum” vibe to him, and I’ll never hear Livin’ La Vida Loca the same way again after seeing Rabbit’s electrifying stage performance of it.  

  

If you search, you can find rabbits who don’t fit the passive, submissive mold, like Hugh Jackman’s Aussie E. Aster Bunnymund in the Rise of the Guardians movie.  That was an Easter Bunny who was great with children, but could also kick some serious…ahem, tail.

  

The 2001 science fiction/psychological thriller film Donnie Darko featured a disturbing, nightmarish rabbit, Frank, who could certainly haunt your dreams…

  

So with many more examples possible from medieval manuscripts (below) onwards, just remember that rabbits are not all the timid, wimpy, sanitized creatures that we see paraded around at this season, but rather a strong, adaptable, successful, and resilient species…and a Happy Easter, y’all…or else!    

  
   

Of Mermen, Monsters, and Madness: “Cold Skin”

Posted April 1, 2021 by vulpesffb
Categories: furry

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I don’t often review films here, but when alternative life forms are involved, I’m on board! Cold Skin by Director Xavier Gens based on a book of the same name is a French-Spanish collaborative 2017/18 effort that checks off so many boxes that it’s both challenging and astonishing. The film crosses the genres of science fiction, horror, suspense, and is a period piece set in 1914. It’s been compared to Lovecraft meets Jules Verne, kind of a “first contact” film involving evolved intelligent amphibious life.

Now we’ve seen some things in a similar vein, most recently The Shape of Water although you could look as far back as The Creature from the Black Lagoon. In Cold Skin, World War I is brewing as a young British “weather observer” (meteorologist) is dropped off at a remote island in the south Atlantic, his only other human companion the operator of a lighthouse there. “You should have stayed on the boat,” the weatherman named “Friend” is told by the gruff lighthouse keeper, Gruner, who has been on the island entirely too long. We soon learn that legions of humanoid amphibious creatures emerge nightly from the sea to attack the humans stationed there, an invasion which the lighthouse keeper has learned to repel from his crudely fortified lighthouse with firearms, fire, and edged weapons.

His desire to exterminate the amphibious humanoids has not stopped the lighthouse keeper from “taming” one of them and keeping her as kind of a pet who he abuses physically and sexually…yes, mer-rape rears it’s ugly head here! The film chronicles the evolution of the “weather observer” from frightened pacifist to survivalist to sympathizer with the mermen/women, all set against the growing madness spawned by harsh isolation and incomprehensible threats.

The submissive female creature, named Aneris (Spanish for “siren” spelled backwards) is an extraordinary feat of makeup, requiring hours of work to transform actress Aura Garrido into an amphibious mermaid with occluded ears, nostrils, and membraneous eyes. In spite of her full body makeup, our mermaid despite lack of articulate speech projects a greater range of emotion than does her human abuser, raising again the classic question of who is actually the real monster. The film shows us the madness of war through the microcosm of a small yet isolated island where extraordinary things are taking place…

If Cold Skin fails In any way, it may be because the film perhaps tries to be and accomplish too much, but it makes a truly memorable effort. It was easy to miss this film in theaters, but Cold Skin may currently be seen on Amazon Prime, and I give it two paws up… 🦊

Progressive Motaur’s “New Shoes” Commercial…

Posted March 30, 2021 by vulpesffb
Categories: absurdities, advertising, alternative realities, biomechanical, Brilliant but twisted, commercials, fantasy, humor, surrealism in life, television

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In his previous outing, we saw Progressive’s “Motaur” suffer a blowout, and I’m sure that we all wonder how such a biomechanical being responds to such an incident; why, he goes to a tire shop, of course!  Where the rubber meets the road also incorporates elements of the old full-service shoe store, with Motaur trying on a new set of tires, and the older store employee, completely nonplussed by his appearance, offering helpful comments from his perspective to close the sale.  Those full-service shoe stores are hard to find these days; if you were a kid, they would actually measure your feet!  Earlier still, some shoe stores would have an X-ray machine on site so you could see how the shoes fit on your underlying anatomy.  It was kind of, “Hey kid, want a dose of radiation with those penny loafers?”  But I digress… 

When Motaur voices concerns that his new kicks might be too tight, the employee opines that he just might want to break them in a bit, because he sure doesn’t want tires to be too loose!  A disturbing thought here; can Motaur actually feel his inorganic parts, and if so, how?  Anyways, the employee is a helpful and good salesman, and we wind up with Motaur back on the road again, another satisfied customer.  Sure is good that he had Progressive’s 24/7 roadside assistance plan!  Long may he ride to his Culture Club tunes!  Are we in for a Boy George revival?

In future installments, perhaps we’ll learn if Motaur sees a doctor or a mechanic if he gets sick.  Does he change his own oil?  Inquiring minds want to know…

 

Progressive’s “Motaur: Interruptions” Commercial…

Posted March 28, 2021 by vulpesffb
Categories: absurdities, advertising, alternative realities, anomalies, biomechanical, Brilliant but twisted, fantasy, furry, humor, television, twisted reality

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Biomechanical organisms can be both freaky and funny at the same time, and Terrence Terrell as Progressive’s Insurance “Motaur” is at it again, this time showing off his light side as he motors down a deserted country road, singing and bopping to Culture Club’s 1980’s hit, Karma Chameleon.  It was a catchy tune, and our Motaur seems to be enjoying himself thoroughly, even getting an arm dance thing going on.  One doubts that a Skynet creation would do this…

…but as fate would have it, Motaur’s free-spirited fun is over when his rear tire unexpectedly goes flat.  Fortunately, our boy has Progressive’s 24/7 roadside assistance plan, and will soon be on the road again.  This commercial is actually part one of a two part series, the second part called New Shoes, and set in a tire shop.

I just never expected the Motaur to be a Boy George fan, did you? And despite my fascination with cyborgs, I’m keeping all of my organic parts, thank you…

   

Liberty Mutual’s “Unique Business” Commercial…

Posted March 20, 2021 by vulpesffb
Categories: absurdities, advertising, bizarre, commercials, furry

Tags: ,

 
Well, this certainly is a unique business, alrighty…one which in the Liberty Mutual commercial sells wet teddy bears.  It’s modeled on the cart hotdog vendor stands which you undoubtedly have seen almost everywhere, only this one isn’t selling hotdogs but rather, yep, wet teddy bears! 

Can you even imagine a demand for such?  The concept is both bizarre and somewhat horrifying.  What exactly does one do with a wet teddy bear?  The hotdog vendor stand setting suggests that in some fashion the teddy might be consumed, and that’s too horrible to entertain the notion.  People usually want to hug or seek comfort and security from a teddy bear, objectives which are diminished by the object being sopping wet.  Yet wet they certainly are, as the vendor demonstrates by pulling one from a bin on the cart, holding it aloft with tongs to demonstrate its wetness, and then plopping it with a flourish on a plate for a waiting customer, who thought he was buying a hotdog.  Well, it certainly wasn’t that guy’s day!  Get away from this vendor, guy, no, run away, and fast!  Something’s terribly wrong here…

The apparent theme of the commercial is that not everyone wants the same thing, and Liberty Mutual allows you to customize to get and pay for just what you want.  It’s hard to imagine any demand, however, for a wet teddy bear, which seems a perversion of their nature.  To each their own, however, while this concept certainly isn’t one for me.  This wet teddy bear stand seems headed for financial ruin, even if it is what its owner wants.  Perhaps a mobile psychotherapist might be more in order…

 

“The Proof Is Out There” On The History Channel…

Posted March 19, 2021 by vulpesffb
Categories: anomalies, anthropomorphic, cryptozoology, furry, mysteries, paranormal, speculation, strange happenings, television, unexplained

If you’re like me, you have an approach/avoidance conflict regarding shows on the paranormal and the unexplained.  On the one hand, you love them and feel drawn to them, but on the other, such shows can vary greatly in quality, and leave you feeling unsatisfied.  There goes another hour of my life that I’ll never have back, you may feel afterwards.  Some such shows are so poorly produced and documented as to represent intellectual dishonesty, and be basically hack entertainment.  We are, however, living in a time when fringe conspiracy theories are surprisingly in vogue, so perhaps art is imitating life once again.

“I Want To Believe,” declared a poster on the walls of Fox Mulder of The X-Files series, and this sentiment captured the yearning that many of us feel, but as intelligent skeptics we want to be convinced by proof, hopefully that which can stand up to scientific scrutiny.  Each classic X-Files episode included the legend, The Truth Is Out There.  Playing on this, a new series on The History Channel is titled, The Proof Is Out There.  Hosted by Emmy Award winning Tony Harris, the series is captivating and fast-paced, and it covers several unrelated features, all in the time of half an hour.  The oddball phenomena covered tend to be labeled as credible, not credible, or unexplained.

An episode sampled (S1, Ep5) included segments on the Skunk Ape, whispering sounds heard in a tomb investigation in Egypt, unexplained apparent structures and lines on the lunar surface, and a light phenomena in Texas.  The Skunk Ape segment examined a paw print found on a car window as well as a video supposedly of the creature.  Neither was found to be credible, but the series added that such doesn’t rule out the existence of the creature, but only that the evidence examined did not factually represent its existence.   The “tomb whispers” from Egypt were examined by both a soundscape ecologist and an Egyptologist, but were ruled to be unexplained.  Supposed dome-shaped structures on the moon were found to be consistent with the formation of impact craters, whereas lunar tracks were thought to be from an earlier Soviet rover.  Lastly, blue light found crossing a woman’s kitchen was regarded as unexplained.

With episodes running half an hour, there’s not a lot of inflation, wasted time, or “puffing” of content on the show, which can be so notable on similar features.  There’s economy here rather than padding. There is no unity or theme between the individual segments of it, which can be seen as a strength or weakness.  Overall, the series shows good production values, is intelligently done, thought-provoking if not earthshaking, and generally worthy of your time.  I rather think that Fox Mulder would have approved of this series… 

Nature’s Own “Goldilocks” Commercial…

Posted March 16, 2021 by vulpesffb
Categories: absurdities, advertising, alternative realities, anomalies, anthropomorphic, Brilliant but twisted, commercials, fantasy, furry, furry commercials, imaginary animals, legends and folklore

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When you come right down to it, Goldilocks was at best an unwanted guest or moocher, and at worst a parasite or even home invader.  I mean, going uninvited into the house of inoffensive bears, and eating their food, even sleeping in their beds?!  Humans carry diseases and stuff…who could blame the three bears if they were to invoke the Castle Doctrine, and clean Goldie’s clock but good?

In a spin on the Goldilocks and the Three Bears tale, our Nature’s Own commercial shows us a pristine forest through which strolls to fairy-tale themed music an angelic-looking, golden-haired girl. She approaches and then enters a charming cabin in which there’s a rustic table holding three sandwiches.  Goldie samples them in turn, pronouncing each one “just right!”  But wait…Momma Bear enters the house, sees Goldilocks, and is not pleased!  We are then shown Papa and Baby Bear, who are fixing sandwiches for Goldie, and are shocked at being discovered by Momma.  

“You know, if you keep feeding her, she’s NEVER going to leave!,” intones Momma with displeasure.  You see, Papa and Baby Bear have apparently been keeping and feeding Goldilocks as kind of a pet, like a stray cat, perhaps. Soon they’ll be saddled with her care and feeding permanently, until she turns 18 or perhaps 21. Goldilocks appears satisfied with this arrangement, and there’s none of the “too hot/too cold” fussiness by this Goldie over her food; just keep the grub on good bread coming, bears…

So enjoy some Nature’s Own bread, but don’t feed it to stray humans.  Once you feed them, they’re yours, and you’ll never get rid of ’em!  Let us learn from the Bear’s mistake, or we’ll suffer a long-term liability and burden.  It’s hard enough feeding our own, right, and if you kick the young humans out, they’ll learn to fend for themselves. Feeding a human is fostering dependency, and that’s really not kindness to them…or so, conservatives would have us think…  🐺

“The Masked Singer” Season 5 Premier…

Posted March 15, 2021 by vulpesffb
Categories: absurdities, alternative realities, anthropomorphic, biomechanical, fantasy, furry, furry television, television

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The Masked Singer has to date been a series friendly to furries, and the new season’s premier did not disappoint in this respect, featuring a raccoon, a cybernetic porcupine, and a couple of mollusks.  Snail (above) was like something one might experience during a bad trip with a recreational drug, featuring a shell adorned with a top hat, eye stalks, and a mouth with teeth.  Something to creep out almost everyone, together with a degree of strange cuteness!  Things got weirder when the Snail was voted off at the end of the episode, revealing the hidden celebrity within to be…Kermit the frog!  I guess that this counts as a double disguise of sorts as a puppeteer was operating Kermit who in turn was supposed to be operating the snail…quite surreal, and exceedingly strange.

More to my liking was Raccoon, who had western stylings and performed a version of Wild Thing by The Troggs.  This was a crowd-pleaser, and Raccoon when leaving the stage foraged through garbage cans that were part of the performance stage setting. It was completely in character, and I give Raccoon added points for that.

Robopine was kind of a cybernetic porcupine with implants on the right side of his body. In addition, he had prominent quills which together with the artificial parts made Robopine a rather formidable figure. He’d fit well into either the Steampunk Universe or the Borg Collective.

In addition to the performers mentioned, there was as a Russian Doll of the nested type most of us are familiar with, and Seashell, festooned with shells and probably a mollusk herself. The costumes alone are worth checking out this series for…