Exploding Kittens on Netflix is a hoot, although not for those who prefer their religion unpilloried…
It seems that God is felt by a divine council to need to be rehabilitated, and so He is sent to Earth in the form of a talking cat, devoid of his most useful but not all powers. He is to help a human family who prayed for his assistance, all the while contending against a similar demonic cat sent to thwart him… 🙀
This is pretty wild stuff that plays like Sunday School on heavy psychoactive medication. God-Cat has not long arrived on Earth before He is corralled by an animal control officer, and sedated. He escapes confinement, and goes on as a strange mixture of deity, human, and feline, railing against his cat incarnation while gradually embracing it. He learns the ways of man, and has frequent epic but hilarious battles against the opposing Devil-Cat.
You might say that God becomes a better fur-son because of all this, but you’ll just have to watch Exploding Kittens to learn of all the enabling details… Meow! 😸
(Foxsylvania proudly endorses Harris-Walz in 2024!)
It’s well-known that Disney studios have shelved Song of the South, a 1946 production that depicted such racially-insensitive stereotypes as happy, servile black slaves. Song of the South has never been seen on home video, DVR, or released to streaming, and has remained in the Disney vaults since 1986 where it will likely remain forever. I guess that means we won’t be seeing Br’er Fox anytime soon, although frankly he hardly represented the best of my kind…
Disney has also eliminated the “crow chorus” from the 2019 live-action remake of “Dumbo,” as the crows have been called racist caricatures for their minstrel show-like behavior. The leader of the crow clique was even originally named Jim Crow, a reference to a blackface character who supplied the name for the Jim Crow laws…
Fantasia was edited in the 1960’s to remove Sunflower, a dark-skinned centaur who acted as a ladies’ maid to several other white centaurs! Her stereotypic look was enough to raise concern, and the character was fully removed in 1969 from the film’s re-release…
The Siamese Cat Song was completely revised from the new version of Lady and the Tramp, as the original Siamese cats were considered Asian stereotypes, despite being cool cats and smooth operators…
“Liver Lips McGrowl” from Disneyland was removed from the Country Bear Jamboree at Disney World due to fears that the inebriated character was offensive to alcoholics, and transformed into the character of Romeo McGrowl…
Even the iconic characterof Tinker Bell from Peter Pan has been considered as a negative role model for her vanity and jealous possessiveness of Peter Pan when Wendy rolls around. While Tink is under some scrutiny, she appears safe in Pixie Hollow, at least for now…
Cultural standards change public perceptions over time, and those characters cited represent only a few examples. When it comes to extreme political correctness, however. I often find that I just don’t give a “Zip-a-Dee-Doo–Dah”…
I didn’t like the version of Riddler or Batman that we saw in the movie The Batman, but I did like the version of Catwoman and The Penguin that we saw. We saw a bit of “Oz Cobb”(Oswald Cobblepot) in The Batman, enough to make me want to see more. Fortunately, Colin Farrell is back as The Penguin, and he makes the role both gritty and believable…
(Don’t hate him because he’s beautiful!)
Sure, Danny DeVito and Burgess Meredith gave us memorable versions of The Penguin that were fun, but so cartoonish that they couldn’t possibly exist in reality. Colin Farrell’s Penguin is no outrageous freak show with a pointed beak-like nose and flipper fingers, but rather a master gangster-like figure, perhaps what Tony Soprano could have been if he were far nastier and battle-scarred. Colin Farrell is a good-lookin’ actor who plays Penguin under heavy latex modifications that gives him a larger (but not beak-like) nose, extra pounds, and facial scarring. His hairline is receding and slicked back, and he walks with a pronounced side-to-side limp, perhaps a nod to the character’s waddle in previous incarnations. We see his bare foot in one scene, and it’s hideously deformed. This Penguin (who doesn’t like to be called that) knows his way around a knife and a machine gun, and wouldn’t be caught dead tooling around in a giant rubber ducky like Danny DeVitoin the role…
Robin Lord Taylor got the role of the young Penguin much better and more realistic in the series Gotham, in my opinion. This guy was intelligent, adaptable, and ruthless…
So I’m glad to see this re-imagining of Penguin, and see the character given proper respect. No, he’s not my favorite Bat-villain, coming in my hierarchy after The Riddler and Joker. The limited HBO/HBO Max series takes up right after Riddler has flooded parts of Gotham in The Batman flick, and Oz Cobb is looking to fill in the gap in the power vacuum following the death of his bosswith a mixture of shrewdness and brutality. No, you won’t see Batman in this, but he is out there, and no one knows just where. This is a crime drama told from the point of view of The Penguin himself…
Only the first episode of the series has aired as of this posting, and there are nods to the character’s comic roots in his gait and his use of an umbrella in the episode. Involved in the drug trade, this is Penguin as a tough, ruthless crime boss looking to climb the ladder, and this bird just might fly… 🐧
With Paul Reubens sadly deceased, there remains one chance to see his Pee-Wee Herman character in a lesser-known movie that I wasn’t aware existed until recently. Pee-Wee’s Big Holiday (2016), while not in my opinion his best movie, gives the actor-comedian and his defining character a fitting send-off…
Itseems that Pee-Wee, the man-boy in his trademark too-small suit, has settled nicely in the town of Fairville, a wholesome place where he is known and loved by all, and works as a cook in a local diner where his masterfully-prepared meals are the delight of all. When not working, Pee-Wee may be seen motoring about in his sporty miniature convertible.
While Pee-Wee professes that he “doesn’t want to go anywhere, and doesn’t want to try anything new,” this changes when Joe Manganiello motorcycles into Pee-Wee’s town, craves a milkshake in the diner, and bonds with Pee-Wee over their mutual love of root beer barrels. Joe invites Pee-Wee to his upcoming birthday party in the Big Apple, and the film then essentially becomes a road trip movie as Reubens makes his way to NYC, encountering misadventures along the way.
These occurrences include captivity by a trio of female bank robbers who steal his car, an overnight with a farmer who curiously intends to marry one of his nine daughters off to Pee-Wee, and a memorable sojourn with an Amish community! Arriving in New York City, Pee-Wee manages to fall into a well in Central Park, necessitating his rescue. While trapped, Pee-Wee has some apparently delusional encounters with Abraham Lincoln and Queen Elizabeth…
While Pee-Wee and Joe seem to be an extremely unlikely duo, their attraction is supposedly based on shared interests and is a friendship, nothing else. This is a children’s movie, after all, or at least a child-friendly one. The Pee-Wee character is supposedly a boy in latency, although he did seem to show interest in the opposite sex in Big Top Pee-Wee. Anyways, Pee-Wee’s Big Vacation may be seen on Netflix, and is recommended viewing for fans of the character, admittedly an acquired taste for somethat others never acquire…
RIP, Paul Reubens. His Pee-Wee character always reminded me of a demented composite of all the kiddie show hosts that I grew up watching…
The buffalo in the Buffalo Wild Wings commercials appears to be a party animal, and as he shows in the Box Out ad, is a bit of the “bull in the china shop” beast as well, not that a pub equates to a china shop! The buffalo spokes-animal still manages to trash stuff pretty impressively, and that’s without being mad!
I’ve always kinda admired the Wild Wings buffalo as a rather well-rendered and impressive chimera, and he’s certainly articulate and expressive to the point of being brash or domineering. I doubt that his wings would be adequate, however, to enable flight, and support his massive bulk. They’re nice wings, nonetheless...
The buffalo, whose name is Hank, is voiced by Beck Bennett. Crafted for the March Madness event, the commercial is certainly mad and wild. Hank, who thinks that he knows a bit about playing defense, goes into a demonstration by unintentionally knocking people about, even breaking out the window, complete with a bodily ejection and flying glass. One would certainly want to be on this bison’s team, as his opponents might not survive him!
I’ve never posted about a buffalo before, but Hank does cut an impressive and imposing furry figure in this ad; you’d just want to think twice about inviting him to your apartment, however! Unanswered are the questions of whether Hank will be held liable for damages…
And BTW, this fox was born in Buffalo, New York!
And by the way, I just happen to have been born in Buffalo, New York! My university mascot was a bison!
For a company that disavows mascots, NJM insurance presents a lot of mascots of the fictitious competition, and they frequently are pretty good! These dastardly mascots also try their best to cover up advertising copy for NJM. As this commercial begins, we are shown a peacock who spreads his tail feathers at a bus stop to cover a posted ad for NJM. Then at an office, the purple arm of some thing appears to close the lid of a laptop that might be preparing to display NJM copy. A large green” Kraken” hangs from the roof of a bus to spread its tentacles over an NJM ad. Lastly, a bear using a riding mower runs over and thoroughly shreds a delivered newspaper bearing NJM ad copy, pieces of which then float in the air like confetti around a bewildered homeowner…
It’s no “secret,” you see, that NJMinsurance is so good that it stands on its own merits, and doesn’t need mascots…
FOXSYLVANIA 
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