“65” the Movie, Works!

Posted July 12, 2023 by vulpesffb
Categories: aliens, alternative realities, animals, furry, historical, horror, movies, sci fi

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If you blended Star Trek, Alien, and Jurassic Park together, you’d probably get something like the movie 65, now available on Netflix. The title refers to 65 million years ago when that legendary asteroid impacted with Earth, affecting the planetary history forever….

Now if you were to take an ancient alien-type pilot who was transporting 35 passengers in hypersleep to an unspecified destination before an asteroid shower perforated his ship and forced it to crash land on the Earth of 65 million years ago, you’d have the basic premise of the movie. Our pilot and the only other sole survivor, a girl, must brave the perils of ancient Earth, and locate their escape craft, all before the main asteroid of 65 million years ago arrives to ruin everyone’s day. The predacious dinosaurs who attack our hero and his charge are outclassed by his laser rifle and some really neat mini-bombs, but outnumber him greatly, making this a syfy survival flick. You know they’ll survive, but get knocked around a good bit with numerous close escapes, and it’s all rollicking good fun that’s paced well, and doesn’t pretend to be more than it is…

Laser (and phaser) rifles are definitely cool! They give you so much more of a presence than just a hand phaser. James T. Kirk knew this, and looked like a boss holding one. Did you know that his phaser rifle sold for $615,000 at auction? That’s not a bad trade-in allowance considering that it was an older model compared to those seen in The Next Generation. Wouldn’t you like to own a laser rifle? ‘Fess up, now…

But I digress…Adam Driver shines as the alien but humanoid pilot, looking and reminding me a bit of Keanu Reeves in the part. You may want to catch this Dino-tastic film, because it goes quickly to the action, and future tech versus saurian hordes is a fun ride… 🦊

Of AI’s and Androids…

Posted July 3, 2023 by vulpesffb
Categories: anthropomorphic, artificial intelligence, horror, movies, paranormal, Questionably creepy, sci fi, speculation

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With Artificial Intelligence and robotics improving and growing exponentially, we are seeing more speculations about their evolving role in the future in the media and film. The question is, will we get lovable, benign intellectual androids like Star Trek’s Data, or Terminators that are our intellectual and physical superiors, and relentlessly intent on our destruction?

Until fairly recently with the notable exception of the robotic Maria in the 1927 film Metropolis, many androids were depicted as styled after males. That boy’s club was recently invaded by the arrival of M3gan in the movie, and Arisa in the Netflix series, Better than Us.

Now Arisa (above) was styled as an attractive young woman, and her intended marketing in this country was as a sentient companion and sex toy. Surprise, however…her origin was in China, where she was originally designed as a kill-bot! When her perceived adopted family is endangered, Arisa shifts instantly into that mode, neutralizing threats with extreme prejudice, and absorbing gunfire with only cosmetic damage…

M3gan (Model 3 Generative Android) is created by a brilliant robotics engineer as a playmate, teacher, and care provider for her niece when that girl’s parents die in a road accident. Standing about 4’ tall and resembling a 10-year-old girl, M3gan is intended to protect her charge from physical and emotional harm, but exceeds the limits of her programming and soon eliminates a dog, a neighbor, a bully of a peer, and eventually the CEO of the company who intends to merchandise her, performing a memorable and inhumanly lithe dance before she does so. It’s kind of a pre-slaughter celebratory thing, ‘ya see…and who can blame the girl, since the CEO is only getting what he deserves?!

So bring on the killer fem-bots! I confess to being in love with robots and androids since first laying eyes on Robby the Robot in Forbidden Planet….💕 🦊

(…and so successful was M3gan that a sequel is in the works! Catch Better Than Us on Netflix, and M3gan on Amazon Prime Video…)

Dean Winters’ Allstate Mayhem “Bear” Commercial…

Posted June 24, 2023 by vulpesffb
Categories: absurdities, advertising, alternative realities, animal behavior, animals, anthropomorphic, Brilliant but twisted, furry, furry commercials

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Allstate’s “Mayhem” personification Dean Winters is a delight, often playing animal characters in commercials without any attempt made at animal costuming. You only know what he is impersonating because he tells you what he is, and is thinking…and acts the part! Dean Winters has memorably played in Allstate commercials a cat, raccoon, and St. Bernard puppy…

“I’m a bear,” offers Winters, “coming out of hibernation after the best nap of my life. And Papa is HUNGRY!” What, you’ve never seen a bear in a suit before? He comes up through the forest to the partially opened window of an SUV, peering through it in an exploratory fashion…

Without effort, Winters/Bear rips the door off the SUV, going inside in search of food. “And while you’re hitting the trail,” he elaborates, “I’m hitting your cooler!” Foodstuff goes flying out of the vehicle, with Winers happy to find some hot dog rolls…

When he’s done, our well-dressed bear whaps the mirror off the side of the vehicle, just for good measure. Now your insurance may not pay for all of this devastation, so you may wanna get Allstate to be protected from Mayhem, reminds Winters…”Like me!” He roars unconvincingly as he walks off, his job there done…

(The “Mayhem” Fox, Instrument of Chaos!) 🦊

Of Mechanical Beasts: the “Metalhead” episode of “Black Mirror”

Posted June 16, 2023 by vulpesffb
Categories: alternative realities, artificial intelligence, biomechanical, creature features, furry, horror, sci fi, television

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Set in the monochrome hell of a bleak, dystopian future where artificial intelligence has driven civilization into the ground and all but eradicated humanity, three scavengers enter a warehouse in search of needed supplies to help an injured companion. They extract a box which looks promising, but hidden behind the box is a robotic guard dog…

The Robo-dog, like the creations of Skynet, is an efficient killing machine. It sprays the three humans with tracking shrapnel, and kills one swiftly with a firearm integrated into a limb. The two survivors flee to their vehicles with the Robo-dog in pursuit; this mech is relentless and merciless, and it gallops after them, smashing into one vehicle and killing the driver…

That leaves only the one woman, Bella, alive to battle the robotic horror. Fortunately she’s cut from the same cloth as Linda Hamilton and Sigourney Weaver, crashing her vehicle in an attempt to crush the metalhead but only damaging one of its limbs. That damage renders the robotic dog incapable of climbing a tree, and loss of battery power forces it to power down until it can do a solar recharge. It does so, however, and the pursuit continues…

The Robo-dog selects a knife as an alternative weapon, but the survivalist woman blinds it’s visual sensors with paint. It continues to come after her using auditory sensors, and it takes two shotgun blasts to put it down. Before being destroyed, however, the killer Robo again sprays the woman with tracking shrapnel, one of which lodges hopelessly beyond removal in her jugular.

The tales of Netflix’s “Black Mirror” seldom have happy endings, however, and more robo-dogs are on the way, far more than could be out-battled. The dark tale does, however, end with a twist, leaving the viewer dazed and dazzled…what a rush!

(Battle-damaged Robo-fox on the attack…)

The Tail of the Richmond Rat Boy!

Posted May 29, 2023 by vulpesffb
Categories: absurdities, anthropomorphic, Cabinet of Curiosities, cryptozoology, furry, furry interest, historical perspectives, retro cool, solved mysteries, twisted reality

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It looks like Mickey Mouse got char-broiled, and has certainly seen better days…I’m referring, of course to the Richmond Rat Boy, a small, seemingly-mummified object anonymously donated to the Wayne County Historical Museum in Indiana. The Rat Boy appears to sport a rodent’s head atop a humanoid body that boasts details such as claws and teeth…

Now sadly, Rat Boy was never alive, but has been determined to have been crafted of plaster of Paris and clay over an armature. Animal claws, pointed teeth, and hair were added to lend a touch of realism to the figure. A note was left with the figure saying that it was found long ago in the basement of a local hospital, and once belonged to a circus-worker friend of the donor’s late grandfather…

Now Rat Boy is thought by museum staff to have been a gaff, a cryptid fabricated as a sideshow attraction in circuses that toured America in the 1910’s to the 1930’s. A more memorable example was the notorious Fiji Mermaid once exhibited by P.T. Barnum. They might have charged you a dime to a quarter to see such draws back in the day. Nowadays we can laugh at those gullible people of an earlier time, having reality television and conspiracy theories today…

So while Rat Boy may not be real, you can still buy your very own Rat Boy T-shirt to remember him by. Be the first one on your block, every cat in the neighborhood will be in shock,” to recall the late great Soupy Sales in his song, Do the Mouse!

“Beetlejuice 2” is coming!

Posted May 24, 2023 by vulpesffb
Categories: absurdities, alternative realities, Brilliant but twisted, horror, humor, movies

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From Batman to Beetlejuice, Michael Keaton has played them all…and if there’s one movie sequel that he’s wanted to make, it’s been of The Ghost With The Most. Well, in September our long wait will be over with Beetlejuice 2 due to arrive! Our favorite bio-exorcist will again thank heavens be played by Michael Keaton, who after 35 years can probably play the role with less makeup.- -Yes, Beetlejuice will finally be back, and “more juicier than ever! I’m in…

In the sequel which acknowledges the passage of time, the goth girl Lydia from the original movie has grown up, and had children of her own. Jenna Ortega, titular character from the Netflix series Wednesday has been brilliantly cast to play the daughter, which should be right up her alley.

In Beetlejuice 2, we will again return to the strangely bureaucratic world of the afterlife, although plot details have been few and are tightly under wraps. Presumably we’ll get to hear more of Harry Bellafonte’s Calypso music score. There has been reference made not only to Lydia’s daughter, however, but also to Beetlejuice’s WIFE, so we know that Beetlejuice is truly a soul in hell…

I’m really looking forward to revisiting the dark and at times grotesque world of this fantasy/horror/comedy, and can’t wait to hear Beetlejuice once more announce, “It’s showtime!

“Guardians Vol. 3,” and Rocket Raccoon’s Backstory…

Posted May 7, 2023 by vulpesffb
Categories: aliens, alternative realities, anthropomorphic, fantasy, furry, furry movies, sci fi

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I eagerly look forward to Guardians of the Galaxy Vol. 3 released this month as it highlights and furnishes the backstory of Rocket Raccoon, who director James Gunn describes as the “secret protagonist” of the Guardians of the Galaxy movies…

Now Rocket Raccoon is an iconic character, especially to those of us who identify as furry. In this film, we see his humble beginnings as a “street raccoon,” and Rocket was perfectly happy being an animal. His forced transition to a snarky biological weapon was fraught with pain, and we are shown those Dr. Moreau-type experiments that later led the character to remark, “there ain’t nothing like me except me.” There’s a lot more to Rocket other than the master strategist, pilot, weapons-master, and space maverick that we know and love, and we see his vulnerability and terrible aloneness here…

Fortunately, it’s a commonality of trauma that binds The Guardians together, and in this their final ride as a team they appear to be going out in fine form in a movie described as both dark and hilarious.- – Long live Rocket Raccoon! 🦝

The “Lost in Space” Reboot, Reconsidered…

Posted April 17, 2023 by vulpesffb
Categories: aliens, alternative realities, anthropomorphic, fantasy, sci fi, television

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I have to admit that I was wrong in my earlier negative opinion of the rebooted Lost In Space series on Netflix that had been based solely on the initial episode that I was able to view at that time for free. I couldn’t connect with the redefined series characters at that time, and felt that the whole reboot was a pointless exercise. Since that time armed with a Netflix subscription and so able to get further into the series, I can say that the series does get appreciably better after the first episode, when they spent entirely too much time trying to get daughter Judy out of a frozen lake…

Now what really makes the series perk?

This guy! Not the “Robot” from the original series who looked like he was made from a vacuum cleaner and several kitchen appliances, but this sexy alien construction who looks like he was designed by H.R. Giger. There’s not a flat surface on him, nor facial features but rather a faceplate within which swirl colored lights, red if he’s going into “attack mode,” and blue if he’s becoming reflective and empathetic. There’s a bit of the T-800 Terminator in this robot as he does have a dark past, but has bonded with the ever-so-familiar Will Robinson, through whom he’s being schooled in such concepts as restraint and friendship. The Robot’s potential for destruction is channeled into defensiveness and protection as he incorporates human emotion. Heck, he even does primitive cave wall paintings! This Robot can knock down trees, but can also be calm and cool even if a tad unpredictable. He’s a work in progress…

The Robinsons are really much better off with the Robot, who is largely controllable through Will Robinson. Portrayed as a highly intelligent 12-year-old boy, Will is nowhere as annoying as say, Wesley Crusher. Father John Robinson, re-envisioned as a former Navy Seal, is a stalwart and dedicated family man and almost indestructible, capable of surviving in a drill pit after being impaled on a rebar stake, then returning to work almost immediately afterwards. Mother Maureen Robinson has had her IQ bolstered several dozen IQ points from the original character, and is an endlessly resourceful modern take-charge woman who can fix something with almost nothing, saving their backsides multiple times in the process. Major Don West is now a resourceful space smuggler and rogue, a bit like the early Han Solo, who will make the right decisions when the Robinsons are in jeopardy, which is often. Judy Robinson is an adopted daughter portrayed as 18-years-old, and although trained as a medic she can apparently perform almost any life-saving procedure. Middle-child Penny is highly intelligent, intuitive, and creative.

Aww! Isn’t this nice! The Robot at dinner with the Robinsons! This illustrates how while masquerading as science fiction, Lost In Space is essentially a sappy family drama. In almost every episode, there are invariably hostile planetary monsters, killer robots, or a disintegrating planet in environmental upheaval. You know that they will all survive, however, and that there will invariably also be, at the end, a whole lotta hugging going on!

I have to admit, though, that I’m really more interested in the killer robots depicted in the series. I’ve always loved robots, you see, and am willing to put up with the gratuitous hugging of family members if it gets me to one…

Rock this “House” on Netflix!

Posted April 14, 2023 by vulpesffb
Categories: absurdities, alternative realities, anthropomorphic, furry, furry films, furry horror, horror, strange

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Stop-motion animation has progressed a lot since the days of the 1960’s Rudolph the Red-nosed Reindeer, and The House on Netflix, like Guillermo del Toro’s Pinocchio, illustrates this beautifully! The House is a trio of stories loosely centered around a house occupied by different parties, the house itself seemingly morphing in both size and location. Presenting as kind of a surreal, seductive nightmare, The House at times is quite charming before luring us into disturbing reality violations and explorations of themes like frustrated ambitions and appearances versus realities.

The first family to inhabit the house are human, and are rather whimsical, Muppet-appearing creatures, with something quite British about them. Living a happy but lackluster lower middle-class existence, they essentially buy into the plans of a mad architect to live in a house he builds for them, ultimately falling prey to their own greed and ignorance. Nothing is as it appears to be in The House…

Segments two and three involve anthropomorphic animals in the house, with the second chapter detailing a kind of rat real estate agent who tries to sell the house while battling the bugs that infest it. There is a musical song and dance extravaganza involving the “fur beetles,” the likes of which hasn’t been seen since the dancing cockroaches of the movie-version of Cats. It’s utterly nauseating, but you can’t look away from it, either. Horror mesmerizes…

Segment three, my personal favorite, is for the felines, with hard-working calico cat Rosa seeking to convert the house into rental units, dealing with constant setbacks and non-paying tenants. One of her renters tries to pay Rosa with a fish, whereas the other, a very new-age type of cat, offers a crystal in lieu of rent. Eventually the property is flood-inundated, and Rosa must join her tenants in a makeshift flotilla of boats, some crafted from timbers of the house. This actually represents a kind of liberation from the entrapments of possessions and materialism. The cats really don’t know what lies ahead, but really, do any of us?

Although heavy on anthropomorphic animals, The House is adult animation, not for children who might find its contents disturbing. Although it’s cute and cozy at times, The House has horrific elements, and kind of sneaks up on you at times. The best subtle horror can do that. The House will make you think, but you wouldn’t want to live within its walls, because it’s a stop-motion nightmare…

The Foxes of Easter…

Posted April 9, 2023 by vulpesffb
Categories: animal presence, animals, anthropomorphic, furry, historical perspectives, holidays, seasonal

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Bunnies tend to take over at Easter, symbolic of spring and fertility. In some cultures and folklore, however, foxes have also registered an Easter presence.

Easter was originally a pagan festival dedicated to Eostre (Ostara), the Anglo-Saxon goddess of spring. Her consort was a hare, hence the Easter Bunny. Ostara’s consort (lover?) had previously been a bird, hence the ability to lay eggs! It gets freaky, and it’s best not to question notions of shape-shifting and cross-species relationships. This notion of an Easter Bunny was solidified by Jacob Grimm of the Brothers Grimm, who believed that the hare was the sacred animal of Ostara…

But in Germanic traditions extending up to the mid-20th century, an Easter Fox was held responsible for the Easter eggs, and children would prepare a cozy bed of hay and moss for der Osterfuchs. Yeah! Now we’re talkin’! German and Dutch settlers brought the tradition of the Easter fox to the U.S. in the 18th century, where rabbits gradually took over the Easter duties…

But for those of us who are fur-ious that a rabbit supplanted us, we await the restoration of the true Easter fox to his proper post of rightful honor… 🦊