Posted tagged ‘horror’

Breathing New Life into “Frankenstein…”

November 12, 2025

I have to admit that I was not the biggest fan of the earlier video tales of Frankenstein and his monster. The story was old, crafted by Mary Shelley in 1816 as part of a friendly literary competition with her husband, friend Lord Byron, and one other to create a horror story, with hers published in 1818 likely the best and most enduring effort. I just grew tired of the repeated version of the Frankenstein monster as a powerful but lumbering dolt of limited intelligence and expressive capabilities…

That version of the Frankenstein monster was revised in the underrated movie, Van Helsing, with Hugh Jackman portraying a younger, dynamic version of the great monster hunter. The Frankenstein monster in that film was still appearance-impaired but quite articulate…the dude read poetry, for cripe’s sake! This was a thinking man’s Frankenstein

Now enter Guillermo del Toro’s “Frankenstine! This monster is distinctly easier on the eyes, almost to the point of being ruggedly handsome. The creature can move, and as a muscular big guy (played by a 6’5″ actor), when we first encounter him basically naked he reminded me in appearance of the Engineer species in the Alien movie franchise..

This “monster” is more sinned against than sinning, and is underestimated grossly by his arrogant and egotistical creator, who tries to destroy his creation with fire. Fortunately, the “monster” proves both resourceful and resilient, and appears to have a “healing factor” capability at least as good as Marvel’s “Wolverine,” with bullets only slowing him down temporarily, and even explosions incapable of destroying him. Pursuing his creator into the arctic, this juggernaut in his cowl even projects kind of a “Phantom of the Opera” appearance at times, evolving into an articulate but tormented being who struggles against his own nature. You’ll find yourself rooting for this “monster,” really, even if he could use some cosmetic work!

We do see some classic elements of the original Frankenstein movie touched upon in this version with revisions, such as the blind hermit who befriends “The Monster.” When he returns to the hermit’s abode to find his friend under heavy attack by wolves, Frankenstein’s creation takes on an entire wolf pack by himself, weaponless but able to use his great strength and outrage to devastating effect on the wolves, hurling, crushing, and breaking them like a true avenger. A surviving wolf wisely runs away!

With great atmospherics and mood and attention to detail as well as proper respect shown to the source material, Guillermo del Toro’s Frankenstein is a masterpiece, and may be seen on Netflix…

“Penny Dreadful” is Dreadfully Good!

July 1, 2014

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If you have a taste for horror that’s complex, intelligently written, and well-acted you might find Showtime’s series “Penny Dreadful” a real gem! The title of the series hails from sensational serialized British literary entertainment of the 19th century that was pitched to working-class males, each installment of which cost a penny.

Now before your eyes glaze over, this framework unites classic literary horror characters of the 19th century, such as Victor Frankenstein, Van Helsing, Dorian Grey, and others all updated and re-imagined in refreshing ways. Victor Frankenstein, for example (pictured), is portrayed as a young man, vital, intellectual, and with knowledge and capabilities light years ahead of the Victorian times.  His creations (yes, there is more than one “monster”) are not mute, shuffling brutes, but rather agile and articulate if socially impaired creatures who read and learn, grow, and suffer angst; they wander about London.  We are really starting to like the second-generation “Proteus” when the first-born unexpectedly appears to rip him apart.  Characters not presented in classic literature are also introduced, such as the dark and formidable Vanessa Ives, an at times demonically possessed medium and clairvoyant who reminds me of Wednesday Addams as she might have been in adulthood; a seance scene featuring her is absolutely incredible. Timothy Dalton, who has taken a turn as James Bond, portrays Sir Malcom, the leader of a group of Victorian-era “ghostbusters” including Dr. Frankenstein who are trying to retrieve his one daughter from a particularly nasty group of vampires.  Each team member has a unique skill set; these characters could do Mountain Monsters, and actually catch and subdue something!

It’s all wild stuff played seriously, and the series isn’t for the squeamish or the young as there is violence, blood, occasional nudity, and adult themes. The Victorian setting is recreated lavishly and with attention to detail; this is upper-level television, even if death and the supernatural as art. – – What furry elements are there is all of this? Well, in the last episode of the first season that has just concluded, one character when his back is hard pressed to the wall by bounty hunters about to drag him off in chains is revealed to be a werewolf!  I won’t reveal which character so as not to spoil the surprise for those who have yet to view the series or the episode, each of which has a dramatic twist of some kind you probably won’t see coming.  

With a dynamite ensemble cast and an underlying idea that hasn’t been visited since The League of Extraordinary Gentlemen, this series is great for those who like psychological thrillers and dark horror.  Catch it on Showtime, or view it on Xfinity On Demand…

The Zombie? – – Of Corpse!

November 2, 2013

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– – On this Dia de Los Muertos following hard on the heels of Halloween, the mind runs more naturally to a consideration of supernatural, creepy, and scary considerations.  Zombies are much in vogue, having developed as a horror sub-genre through the work of George Romero among others and more recently, well-written and acted shows such as The Walking Dead.

In our modern age, death is kind of a final taboo, and the dead are swiftly and antiseptically spirited away so our delicate sensitivities are not offended by them, and we can postpone dealing with our own mortality.  Such was not the case in earlier times, when people would have been well-acquainted with both the sight of the dying and dead bodies.  In ancient times especially during plague years, dead bodies could be seen in public places in varying stages of decomposition, their numbers at times overwhelming burial details. As zombies are essentially animated corpses, their presence in film and literature may hark back to a kind of revulsion and fear in the collective unconscious over events that transpired earlier in human history…